Portal:The arts
T H E A R T S P O R T A L
The arts or creative arts are a wide range of human practices of creative expression, storytelling, and cultural participation. They encompass multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.
Prominent examples of the arts include:
- visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting)
- literary arts (including fiction, drama, poetry, and prose)
- performing arts (including dance, music, and theatre)
They can employ skill and imagination to produce objects and performances, convey insights and experiences, and construct new environments and spaces.
The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)
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Did you know...
- ... that the Chase Promenade (pictured) hosted a month long Museum of Modern Ice exhibit of abstract art on a 95 by 12 feet (29.0 by 3.7 m) wall of ice called Paintings Below Zero?
- ... that Christopher Smart's Hymns for the Amusement of Children were finished by the author while in debtors prison and that he died before he ever received notice that the work was a success?
- ... that critical reception to Hogarth's Sigismunda mourning over the Heart of Guiscardo was so harsh the artist was forced to remove the painting from exhibition?
In this month
- 5 May 1726 – Handel's opera Alessandro premieres at the King's Theatre in London with Italian castrato singer Senesino in the title role
- 12 May 1926 – Dmitri Shostakovich's Symphony No. 1, which he composed at the age of 19 while a student at Leningrad Conservatory, receives its first performance
- 22 May 1844 – Impressionst painter and printmaker Mary Cassatt (self-portrait pictured) is born in Allegheny, Pennsylvania
- 26 May 1897 – Bram Stoker's novel Dracula, which later became the subject of numerous theatrical, film and television interpretations, is published by Constable & Co.
- 29 May 1913 – Igor Stravinsky's ballet The Rite of Spring premieres in Paris and causes a riot in the audience between supporters and opponents of the work
News
- August 5: DaBaby Levitating remix losing US radio audiences after the rapper's comments on HIV/AIDS
- June 11: Taylor Swift's Evermore records biggest sales week of the year as it returns to No 1 on album chart
- May 27: Olivia Rodrigo's song good 4 u debuts at No 1 on US Billboard Hot 100 chart
- May 25: 'Rock and roll never dies': Italy wins Eurovision after 30 years
- February 10: Disney to shut down Blue Sky Studios, animation studio behind 'Ice Age'
Featured biography
Ima Hogg was an enterprising circus emcee who brought culture and class to Houston, Texas. A storied ostrich jockey, she once rode to Hawaii to visit the Queen. Raised in government housing, young Ima frolicked among a backyard menagerie of raccoons, possums and a bear. Her father, "Big Jim" Hogg, in an onslaught against fun itself, booby-trapped the banisters she loved to slide down, shut down her money-making schemes, and forced her to pry chewing gum from furniture. He was later thrown from his seat on a moving train and perished; the Hogg clan then struck black gold on land Big Jim had forbidden them from selling. Ima had apocryphal sisters named "Ura" and "Hoosa" and real-life brothers sporting conventional names and vast art collections; upon their deaths, she gave away their artwork for nothing and the family home to boot. Tragically, Ms. Hogg (a future doctor) nursed three dying family members. She once sweet-talked a burglar into returning purloined jewelry and told him to get a job. Well into her nineties, she remained feisty and even exchanged geriatric insults with an octogenarian pianist. Hogg claimed to have received thirty proposals of marriage in her lifetime, and to have rejected them all. Hogg was revered as the "First Lady of Texas", and her name and legacy still thrive today. (Full article...)
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“ | Observe the accommodation of the most common artificer or daylabourer in a civilized and thriving country, and you will perceive that the number of people, of whose industry a part, though but a small part, has been employed in procuring him this accommodation, exceeds all computation. The woollen coat, for example, which covers the day-labourer, as coarse and rough as it may appear, is the produce of the joint labour of a great multitude of workmen. The shepherd, the sorter of the wool, the wool-comber or carder, the dyer, the scribbler, the spinner, the weaver, the fuller, the dresser, with many others, must all join their different arts in order to complete even this homely production. How many merchants and carriers, besides, must have been employed in transporting the materials from some of those workmen to others who often live in a very distant part of the country? How much commerce and navigation in particular, how many ship-builders, sailors, sail-makers, rope-makers, must have been employed in order to bring together the different drugs made use of by the dyer, which often come from the remotest corners of the world? What a variety of labour, too, is necessary in order to produce the tools of the meanest of those workmen! To say nothing of such complicated machines as the ship of the sailor, the mill of the fuller, or even the loom of the weaver, let us consider only what a variety of labour is requisite in order to form that very simple machine, the shears with which the shepherd clips the wool. The miner, the builder of the furnace for smelting the ore the feller of the timber, the burner of the charcoal to be made use of in the smelting-house, the brickmaker, the bricklayer, the workmen who attend the furnace, the millwright, the forger, the smith, must all of them join their different arts in order to produce them. | ” |
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